31 October 2011

Happy Halloween

One pirate (a teacher who comes to the recycling center regularly) and one Cleopatra (behind the desk at the PB/JC Library).  Also one set of trick-or-treaters, on Martin Avenue, near where my Trulock grandfather courted my grandmother (I walk my dog over there sometimes, a few blocks from my house).  And several well-done Halloween yard displays, including an extensive one on Martin Ave.  That concludes my Halloween Report.

Well, almost...  I was a bit spooked today when someone saw this photo on my bulletin board,


and suggested that the inscription on the back, which I've included above, might indicate this death was a murder by a serial killer (murder #10 in the series).  That never occurred to me!  I hope it's not true!  I earlier discussed finding this photo on the parking lot at the recycling center.  I have not tried to look up obituaries from the Dumas area close to this date yet, but I certainly plan to now.

On a lighter subject, filming for a movie called "Mud" has been going on in the Dumas area this fall.  The movie is being directed by the Arkansas-based director Jeff Nichols, and stars Reese Witherspoon and Matthew McConaughey.  About the time the filming started, the manager of Pine Bluff's little airport, called Grider Field (a pilot training field during WW2), stopped by the recycling center, and I asked him if he'd seen any movie stars.  He said Reese Witherspoon had flown in that previous weekend, but he hadn't been there to see her.

See Walker Percy's novels The Moviegoer and Lancelot for astute comments on movie people and movie stars, and their effects on us normal people.  Also, the lyrics of Thunderclap Newman's "Hollywood #2,"  from that group's only album, Hollywood Dream, produced by Pete Townshend, describe those effects pretty well:  "They're a plastic-made sensation/so big it makes me sick."  Film is, or was until digital took over, a sort of plastic.  And if you're given a chance to talk to a big movie star, doesn't your stomach feel the effect?

17 October 2011

The Φ in eiΦ

Well, sure, of course, the Φ in e is some kind of angle, and if Φ = 0, then e = 1, and we have the usual state vector for Schrödinger’s Cat.  So in my previous post, I was only wondering what the variable Φ could represent in this particular coherent superposition.  Φ could certainly be time-dependent, resulting in the "delicate phase relation" between the live and dead components being time-dependent.  This could be just a more general expression for the Shroe cat state, for all I know.  I just haven't seen it before and thus am prompted by the movie to check into it.  It could just be another foolin' around on the part of the prone-to-fool-around Coen brothers.  Except they'd have to rely on a knowledgeable physicist to have given them the opportunity.

If Φ = π = 180 degrees, then e = -1.  Live and dead components are "out of phase."  Of course, just as an abstract entity, e= -1 is interesting in its own right.  Right?

 

15 October 2011

Back to the Cat and Back of the Cat (photo)

Time to return to the subject of this blog, the main subject, or subjects:  A Serious Man and Schrödinger’s Cat.
In the only non-dream classroom scene in the movie, Larry (our main man Professor Lawrence Gopnick) writes the equation for the quantum state of Schrödinger’s Cat on the board.  When the scene opens, we are viewing Dr. Gopnick’s feet and lower legs as he writes the equation on the board.  We see high-water pants, too short and pulled up above his waist.  Also, he’s writing the equation at the bottom of the chalkboard and his butt is sticking out in a cartoonish manner as he does so.

But the movie is a cartoon, remember?  I mean, according to my amateur* analysis of it, it’s a slapstick cartoon with real actors on the screen instead of animated characters (although everything is animated with digital film).  And what is this Schrödinger’s Cat business but a sophisticated cartoon itself?  The two drawings representing the live cat and the dead cat that Larry puts on the board are elementary forms of animation.  This is generally true of physics teachers:  they draw "sketches" to go with their equations.
Larry’s quantum superposition equation for the state of the cat has a factor in it that is usually not in the live-cat-dead-cat equation.  Larry’s equation is



|cat> = [1/sqrt(2)] (|LC> + e|DC>).



where |LC> is the “live cat” component of the state vector |cat>,  and |DC>  is “dead cat” component.



The usual equation has, by necessity, the "one over the square root of 2" factor, but doesn’t have the factor e in the second term.  What kinda factor is this?  Well, it’s a phase factor!  Rather cool I think.  Also rather confusing at the moment, though, since the usual equation for the coherent superposition of the live and the dead cat states is



|cat> = [1/sqrt(2)] (|LC> + |DC>),



with no phase factor explicitly shown.  Meaning there’s no possibility of there being a phase difference between the live and dead states.  But what the hail is Φ in e?  This requires more study...
A couple of interesting factors from the film, then I’ll quit for today. 

One:  the quantum mechanics textbook visible on Larry’s desk when he is talking to Sy on the phone and finds the money in the envelope is “PAM” Dirac’s classic, Principles of Quantum Mechanics (4th edition, 1958).  You can see the dust jacket is a bit worn.  Still, for a movie made in 2009, it’s remarkable that such a pristine copy of the book could be found.

Two:  in the final scenes in Larry’s office, it is not when he changes Clive's grade from an F to a C that trouble happens.  It’s only after writing the "C" that Larry shows his negative feelings by making a face  and then decisively putting the negative sign beside the C that the phone immediately rings and the news is bad.  Or potentially bad, if it’s what it sounds like (lung cancer).  Also recall that Larry tells Clive during their second meeting, slamming the money envelope on the desk, that “in this office, actions have consequences, not just in physics but morally.”
Hope you're having a good Ides of October. 

Alex and Anna's Cat
(don't know if he's alive or dead now)
*amateurs are people who do something because they love to do it, not because it makes them any money.












12 October 2011

Columbus Day

The song going thru my mind recently has been Michael Ellwood's "Columbus Day."  Okay, not the whole song, just the only lyrics from it I can recall: "Stay off the reservation/On Columbus Day."

The album it's on is Michael Ellwood and Beth Galiger's "Hemlock Smile: Live at La Casa" from 1993.  Just try finding out anything about it on the Web!  Not easy.  My friend David Cuddeback and I went to see them in Austin, at least once.  There is some info about them at  www.bluebhikku.com/elwoodgaliger.html .

Replicas of two of Columbus's ships--the Nina and the Pinta--are coming up the Arkansas River soon, stopping at Pine Bluff for a week, and later at Fort Smith.  (But not at Little Rock for some reason.) 

05 October 2011

Physicists on Wall Street, unpublished review

[This is a book review I wrote for the Arkansas Democrat-Gazette three years ago, which the book review editor decided not to use.  Probably a good decision, as it's an obscure book and why write a highly critical review of an obscure book?  Yeh, so nobody will buy it!  Like anybody was gonna anyway, hey?  I edited it some more before posting it. I just love to write and especially, apparently, critiqueing everthang physics-related.  I did have a review, a positive review, of the book Faust in Copenhagen, by Gino Segre, published in the ADG earlier in 2008.  Got a whopping $75 for it!  Then in March 2009, as if to end my attempts to write reviews for them, the higher-ups at the ADG unceremoniously jettisoned the two-page book review section from their Sunday edition in order, one assumes,to stay afloat financially or to just look good (i.e., lean and mean) to Wall Street.  Oh, yeh, speaking of which...]


Physicists on Wall Street and Other Essays on Science and Society, by Jeremy Bernstein, Springer, 182 pages, $34.95.


Some of the tasks performed by physicists and accountants are rather similar, and also rather straightforward.  They both, for instance, work with balance sheets, although physicists’ balance sheets must conform to natural laws called conservation laws, and accountants are only required to follow man-made laws.

            Physicist at the Large Hadron Collider in Geneva, for instance, are looking at the known masses and energies going into the proton-proton head-on collisions, and balancing or equating those with the masses and energies of particles coming out of the collisions.  The collisions occur at near the speed of light.

In theory it's simple, at least if you know your relativistic physics well enough, but in practice identifying particles and energies after the collisions is a complicated engineering task.  The process requires not only huge particle detectors but also special computer programs that statistically search for the presence of new and already-known elementary particles.

Nowadays, accountants and financial analysts face similarly monumental tasks in figuring out the results of complicated financial transactions.  Some of these analysts also, of course, invented those complicated financial transactions, purposely making them hard for industry regulators and investors to figure out.   By their (man-made) nature, financial instruments that are the hardest to figure out also make the most money—if the people trying to profit from them don’t get fooled themselves.  

Because of the complex, computer-intensive nature of their work, quantitative financial analysts—also called “quants” or financial engineers—are often recruited from the PhD pool of applied mathematicians, engineers, computer scientists, and even elementary particle physicists.

Jeremy Bernstein himself is an elementary particle physicist and a professor emeritus at the Stevens Institute of Technology in New Jersey.  He was a staff writer for The New Yorker from 1961 until 1995, and his compact scientific biography of Albert Einstein, simply titled Einstein, was nominated for a National Book Award in 1974. Since then he's written over twenty books on physics, physicists, and other subjects, including mountain climbing. 

With a background like that, Bernstein should be a sure bet. Of late, however, he’s been having a bad run. His two books published last year--Nuclear Weapons: What You Need to Know and Plutonium: A History of the World’s Most Dangerous Element—don’t deliver what their titles promise and often read like extemporaneous lectures directly transcribed into books.  And we’re not talking Feynman-type lectures either.  These books seriously needed a good editor.

It does seem that Bernstein has lost his muse, or maybe just his editor.  He says in the acknowledgements at the beginning of his Plutonium book, “When I first started writing books, now some decades ago, they were made up of things that had first appeared in the New Yorker.” He then gives credit to that magazine’s longtime editor, the late William Shawn, for helping him learn how to write about science for the general public. 

The publication of Physicists on Wall Street, a hodge-podge collection of essays on science, economics, and language, should set Mr. Shawn to spinning in his grave, if he has one. The book could provide nonfiction writing instructors with many examples of how not to write, starting with the first line in the preface:  “Everyone has their own way of learning.” 

(That could easily have been changed by an editor, or by Bernstein himself, to “Different people have different ways of learning.”  Or at least it could be grammatically correct if it read “Everyone has his or her own way of learning.”)

If all the problems with Bernstein’s writing were so slight, things wouldn’t be so bad. But his narrative bounces around like it’s following the random walk or Brownian motion (also called the drunkard’s walk) that was analyzed statistically by Einstein in 1905 and put to use on Wall Street in the 1970s as something called the Black-Scholes formula.

For example, Bernstein writes this about a physics PhD named Emanuel Derman: “He interviewed at Salomon, where eventually he took a job for a very unhappy year, after which he returned to Goldman.  One of the groups at Salomon that he interviewed with was one that had been handpicked by John Meriwether." 

The mention of John Meriwether leads Bernstein off in another direction, into a discussion of Meriwether's ill-fated hedge fund, Long Term Capital Management, which financially imploded in 1998.  That particular debacle, from which regulators of the financial industry seem to have learned nothing, is also described in the book When Genius Failed: The Rise and Fall of Long Term Capital Management, by Roger Lowenstein.  Emanuel Derman tells his own story in My Life As a Quant: Reflections on Physics and Finance, published in 2004.  Either of these would be a better choice for learning about Meriwether and Derman than Bernstein’s rambling anecdotal account.

Bernstein’s writing on science and scientists of various sorts is only slightly better than his discussion of stock market economics. And his writing about language and linguists is too lengthy to maintain the reader’s interest.  Again, the problem seems to be a total lack of much-needed editing.

Bernstein at least does make one astute and timely comment about the financial markets. "The key to everything was the assumption that the market would behave rationally,” he says in a chapter called The Rise and Fall of the Quants. “This continuity of behavior was one of the assumptions, for example, that went into deriving the Black-Scholes formula. If in the Brownian motion, for example, the drunkard suddenly falls down a manhole, all bets are off." 

That’s a pretty good description of what actually happened to the financial world just after Bernstein’s book was published in August 2008. The cover of the September 29th issue of The New Yorker tells that same story pictorially: a businessman walking in front of the New York Stock Exchange, preoccupied with a cell phone call, is about to step into an open manhole. The cover is titled "Downward Mobility."

04 October 2011

Funerals and silver hair

Lordy, Lordy, look who's way over 40.  Yeh, me.  How come I don't feel like it?  How come my doctor last week found my cholesterol levels were "extraordinary" meaning very good, not very bad?  My blood pressure and pulse rate were in good ranges also (usually my pulse runs a little high, but not this time, when it was 74, said the nurse).  Coulda been that snake bite on September 8th...

If that's the case, too bad the copperhead venom didn't make me look younger too.  I think I look not too old when I check myself out in the mirror, but then I see a photo of me!  There's gray hair and then there's shockingly gray hair. Mine is shockingly gray--silver is a better way to describe it.  Pre-haps a little darkening lotion would be acceptable?  And wearing contacts instead of glasses?  My older brother Jeff has never worn glasses (started off with contacts, in junior high) and started coloring his hair long ago, before any gray showed up.

On the other hand, his midsection is looking kinda quilt-like, and mine, except for some droopiness of flesh in the chest area that could be cured if I'd do serious exercise, still looks pretty solid.

The older brother of two friends of Jeff's and mine died last week.  The friends are the Owen twins, Joe and John.  Their brother was known as Reece, which we always pronounced Reesy, but which now is pronounced in just one syllable.  He was 62, considerably older than the twins, so I didn't really know him.

But I did go to the funeral, and it was a good one.  Good remembrance or eulogy by a good-looking, black-haired younger woman, and then a good talk by the priest.   And unavoidably, a lot of silver hair, so I fit right in.  Jeff wasn't sure he could trust his car to get to Pine Bluff from North Little Rock, and thus didn't make it.  I briefly saw two of my old friends there--Lee Smart and Mark Townsend.  Mark is also a twin, but his twin brother Lane was killed in a car wreck between Little Rock and Pine Bluff during a rainstorm (a car on the opposite side of the interstate hydroplaned and came across the median) in September of that strange year 2000.

And here is a rather remarkable coincidence.  The Townsend twins and the Owen twins mothers died on the same day, April 7, 2010.  Since they both attended the same church, First United Methodist in downtown Pine Bluff, Nan Owen's funeral was there at 10 in the morning on April 9th, and Wanda Townsend's funeral was held there at 2 that afternoon.

Now back to the present. I was thinking about Lane's death after Reece's funeral, and incorrectly thought the wreck had been on the 15th of September.  A few days later I was at Bellwood cemetery, where I can walk while my dog runs around freely, and I noticed, looking at Lane's grave marker, that Lane and Mark were born on November 15 and that Lane was killed on September 24.  (I sent Mark a card on November 15, 2000, when I was living in Columbia, SC, telling him about the birth that very day of Walter Gregory Trulock, my nephew, son of my brother Greg and his wife Kristin.)

Now on to a very different, currently anonymous, passing, as represented by the photo below, which I found on the parking lot at the Recycling Center a few months ago. Like some other personal items I find there, it was meant to go in one of the thirty cubic yard roll-off dumpsters as trash, but somehow escaped.  I guess this fellow's funeral or maybe just viewing was on September 24th, 1985, and somebody took a photo of him in his casket:



What the photographer wrote across the back is "#10  24 Sept. 1985    Dumas, Ark."  Rather impersonal info for such an apparently  personal photo.   I mean,  from the identification of the photo by "#10" it sounds like this was taken by photographer taking a series of photos, not a bereaved mourner or even friend of a bereaved mourner.

If this dead person's (normal) photo was printed with his obituary, I might be able to find his identity...  It's easy to look up obits and find them on microfilm at the library. Wait--you don't think someone just laid down in a casket like he was dead to have the photo made, do you?  That possibility didn't occur to me until just now, since the man looks convincingly dead.  May he be resting in peace.

Which reminds me of what I think eternity must be: eternal, backwards and forwards in time.  That means we or our souls don't just pop into eternity when we die.  We must always be there, are there now, were there in the infinite past, except "past" is meaningless and so is future, except whilst we are entrained, ignorantly for the most part, in our physical embodiment.